On Writing...
"Imagine that you are dying. If you had a terminal disease would you finish this book? Why not? The thing that annoys this ten-weeks-to-live self is the thing that is wrong with the book. So change it. Stop arguing with yourself. Change it. See? Easy. And no one had to die."
~ Anne Enright
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New Craft Essays
The Art of Literary Olfaction, or Do You Smell That? by Jill McCabe Johnson
Two confessions: I have a big nose, and my nose leads me. Not because it’s so big that wherever I go it arrives well before I do, but because that big nose of mine takes in a lot of smells. Last night, my husband and I took the dog for a walk. Right as we stepped outside—before feeling how cool the evening was and the slight mist to the air like it wanted to rain, before noticing the mint plants looking leggy and spotted, before seeing the hazard of a hose across our path—I smelled the sweet-acrid scent of burning wood, smoke from a neighbor’s chimney that told me more about the temperature and season than any other single item I encountered.
Jill Talbot's Creative Nonfiction Class Interviews Ryan Van Meter
"I don’t know anything about neuroscience, but my hypothesis is that the imagination and the memory reside in the same fold of our brains. It might even be the case that we use one to access the other – that in order to claim something from the filing cabinet of memory, we use the imagination to pull open the drawer."
Whispered Wills and Words That Bleed: On Transparency of Thought in the Essay by Jennifer Bowen Hicks
When a writer voices the agitations of her will through words, I feel my own blood moving inside my veins, transfused and transformed by the essay’s greatest potential gift: full access to another human’s thinking, feeling, core—that place where our truest feelings and agitations live.
Want to write a craft essay, or do an author Q&A or podcast interview for an upcoming issue of Brevity? If so, send your essay topic or author-interview idea and a brief bio note to craft editor Julie Riddle at brevitymag+craft@gmail.com.
Past Craft Essays
Issue 37, September 2011
Silence and Not-Knowing: An Introduction, and Silence Is My Playlist (On Being Asked for One to Go with My Work) by Lia Purpura
Ignorance, Lies, Imagination and Subversion in the Writing of Memoir and the Personal Essay by Lee Martin
Issue 36, May 2011:
Against Knowing, by Dinah Lenney
Method and Mystery: Speculation in Narrative Art, by David Huddle
Issue 35, January 2011
Discovering What Lies Beneath: An interview with Lee Martin
by
Dawn Haines
So What’s Your Point? Thesis Statements and the Personal Essay
By Cynthia Pike Gaylord
Revising the Muse: An interview with Thomas E. Kennedy
by Cynthia Pike Gaylord
Issue 34, September 2010
Exploring Intersections: An Exercise in Dismembering and Remembering Selves
by Lockie Hunter
The Wonder of Geese
by Bryan Furuness
Q&A: Using Tension and the Narrative Arc
by Brendan O'Meara
Issue 33, May 2010
Flesh on the Bones: Turning Dry Ancestral Details into a Life Story
by Sharon DeBartolo Carmack
My Muse – He’s Just Not That Into Me
by Drema Hall Berkheimer
Issue 32, January 2010
Excavating a Moment’s Truth
by Kerry Cohen
Becoming Your Own Best Critic
by Jim Heynen
The Necessity of Navel-Gazing
by Lisa Gill
Issue 31, September 2009
Back-Form.: Me ‘n’ Those Manuscripts
Edit: back-form. < Editor
by Stephen Corey
From Confession to Craft: Memoir as Its Own Reward
by Dinah Lenney
To Blog or Not to Blog? Using the Blogosphere to Shape Narrative Voice
by Towles Kintz
Issue 30, May 2009
Balancing Music and Meaning: An Interview with Kim Barnes on Short Nonfiction
by Gretchen Clark
Ten (or Twenty) Points on Publishing, Plus a Few Playful Tidbits
by Judith Kitchen
Rejection: Give Up or Show Up?
by Kelli Russell Agodon
Issue 29, January 2009
Listen: An Interview with Brenda Miller (14:44)
On Practice: Letter to Holly from Cougar Ridge
by Brenda Miller
“Perhapsing”: The Use of Speculation in Creative Nonfiction
by Lisa Knopp
Issue 28, September 2008
Tiny Masters: An Artful Trick to Writing the Personal Essay
by Sherry Simpson
On Bridging the Distance Between Therapist and Theorist
by Barrie Jean Borich
Issue 27, May 2008
The Fact Behind the Facts, or How You Can Get It All Right and Still Get It All Wrong
by Philip Gerard
Issue 25, Fall 2007
Advice to My Friend Beth’s Undergraduate Creative Nonfiction Students
by Dustin Michael
Nonfiction Is Translation
by Brian Goedde
Issue 23, Winter 2007
Of Nails, Nonfiction, and Various Adhesives
by Shane Borrowman
Issue 21, Summer 2006
On Miniatures
by Lia Purpura
Prose Poems, Paragraphs, Brief Lyric Nonfiction
by Peggy Shumaker
Issue 20, Spring 2006
Frelection: The Transformative Power of Reflection in Nonfiction
by Rebecca McClanahan
A Riff on the
[NonfictioNow] Writing Conference
by Rosemary Davis
Issue 19, Fall 2005
Writing Brief: Notes on Past and Future Brevity Submissions
by Linda Norlen
On the “Speedy Narrative”
by Jeff Gundy
Copyediting. Vital. Do It or Have It Done.
by Diana Hume George
Innocence & Experience: Voice in Creative Nonfiction
by Sue William Silverman
Laughing through Life: Humor in Autobiographical Writing
by Tim Jackson
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