This summer, we're taking a look through the rear-view mirror at childhood—and, in the process, examining how it shapes us into our adult selves. The writers featured in Creative Nonfiction #60 recount formative childhood experiences that leave indelible memories: stomping through a snowstorm to Sunday mass; discovering a dead body in the woods; touring beautiful homes they’ll never live in; or trying, desperately, to dance their way to junior high popularity. Here we have kid-dom in all its messy glory: the good, the bad, and the biting truth.
Plus, fifteen contemporary nonfiction authors discuss the books that made them writers; how to write about your kids without messing them up (too much); the link between addiction memoirs and coming-of-age stories; Tiny Truths; and more.
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Can you believe this weather we’re having?
We’re not just making small talk: our winter issue, Creative Nonfiction #58, is all about the weather. Whether enveloped in fog, stranded in a blizzard, or steering through a sea squall, the writers featured in this issue are battling forces larger than themselves. That’s what the weather does, after all: puts us in our place.
Plus, Al Roker talks about the challenges of writing creative nonfiction; Dot Earth blogger Andrew C. Revkin reflects on 30 years of covering climate change; how technology is changing memoirists’ work; tiny truths; and more.
Our fall issue, Creative Nonfiction #57, explores making a living—that means jobs, yes, but more than that: how do we work meaning out of our days, and what do we do to survive? For the young office temp, the state executioner, the musician, the activist, the refugee worker, the rape crisis counselor, and the estate planning attorney whose stories are featured in this issue, it's not just about the money.
Plus, writing (and editing) for free; revisiting Studs Terkel's Working; the history of erotic memoir; tiny truths; and more.
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Our summer issue is all about waiting. Writers explore the boundaries of their patience as they wait for a missing family member’s return, for sleep to come, for doctors, planes, or the next good wave.
Plus, we consider the murky origins of the term “creative nonfiction”; the art of immersion reporting; books that took lifetimes to write; and more.
Our spring edition, "The Memoir Issue," is big news: a special double issue with twice as many stories as usual, from places as far-ranging as Japan, Australia, the Marshall Islands, the Appalachian Trail, and Vermont.
This issue is also big in scope, illustrating thorny issues such as the power (and fallibility) of memory; the challenges of telling other people’s stories accurately; and the art of self-analysis and reflection.
Plus, CNF #55 features columns on how social media might be changing human memory; readers’ duty to wield belief responsibly; accepting the narcissist within; tiny truths; and more.
Our winter issue is full of family lore--the stories we grow up hearing and the tales we, in turn, tell. Like the night we hit the deer, or Dad's close encounter with a serial killer, or the time Grandma saved the village from the Germans ... Every family has at least one story like this--but is it true? (And, if it's a good enough story, does it matter whether it's true?)
Plus, we explore the special challenges of writing about family; writers travel in search of missing stories; and Rick Bragg reflects on the process of interviewing living legend Jerry Lee Lewis.