Online Classes

Tell your story, better.

Creative Nonfiction's online classes give you the opportunity to learn in a small classroom environment on your own time. Write at night, on your lunch break... even in your underwear. All you need is an Internet connection and a little motivation.

Participants receive personalized feedback on assignments from their instructor, as well as responses from classmates on discussion board forums and peer reviews. All instructors have university teaching experience and/or are working professional writers. Conversation, firm deadlines, and feedback help keep you writing and improving your work throughout the class. Small class sizes help foster community and an online workshop vibe.

Whether you're just starting out or looking for an advanced class to help you refine and polish your work, we have a course for you. Class sessions begin in January, April, June, and September. Because of the flexible nature of our courses, we can gladly accept students from all across the globe. Learn more about all of our classes here.

See what past students have to say about our growing writing community, and read some publishing success stories from our students. 

Summer Online Classes 

June 26 - July 31

Please note: it is not uncommon for classes to fill up before the end of early registration, particularly in the last few days before the deadline. If you know for certain that you wish to take a particular class, we recommend registering early. If you'd like to be added to a waitlist for a sold-out class, please email our Director of Education, Sharla Yates, at yates[at]creativenonfiction[dot]org.


Creative Nonfiction Summer Boot Camp 

Instructors: Meghan O'Gieblyn or Rhonda Miller - You want to do it. You mean to do it. You’re going to do it, really…a bit later. It’s the summer, after all, and you’ve got the time. But somehow that writing you’ve been meaning to get around to just never seems to happen. Creative Nonfiction’s summer boot camp is a 5-week course to ensure that you will get around to that summer writing, by providing firm deadlines and weekly feedback. Along the way you’ll also develop the habit of writing regularly, which will serve you well all year long. Learn more / enroll  » 

New! Digital Storytelling

Instructor: Marissa Landrigan - Most of the text we consume today comes to us through a screen, and since anyone with an internet connection can share their stories, digital technology has made storytelling more accessible and more global than ever before. Through digital storytelling, writers can invite readers to interact and experiment with their stories, rearrange or find their own path through the fragments of an essay, even “play” our first-person experiences. This beginner’s course is designed to help you discover ways to use digital communication technologies to enhance the inherent connective power of creative nonfiction—and will explore what changes and what stays the same, when we move stories from pure text to an interactive, multimedia environment, incorporating still images, sound, and/or video (and even video games). Learn more / enroll »

Eureka! Science Writing for General Audiences

Instructor: Chelsea Biondolillo - In this class, we’ll take a close look at the writing and research skills needed to craft engaging nonfiction about scientific discovery, research, and policy, and practice them over the course of five weeks. We’ll discuss how literary elements such as scene, character development, and narrative can bring scientific topics alive for general readers, as well as how to document research and interviews to prepare for the fact-checking process. Learn more / enroll »

Experimental Forms

Instructor: Barrett Swanson - What are the limits of creative nonfiction? At what point does an essay leave the world of fact and enter the realm of fiction or poetry? Are the borders between these genres rigid and unyielding, or are they porous? How can a writer move seamlessly between them during the course of a single essay in order to communicate more effectively the complexity of his or her experience? In this class, we will explore a variety of strategies for innovation in nonfiction writing. We’ll study new exhilarating developments in the genre, encountering the work of many contemporary practitioners of the craft, and discuss which subjects lend themselves to these cutting-edge techniques. Learn more / enroll » CURRENTLY FULL

Flash Essays

Instructors: Michael Busk or Jenna McGuiggan - Some experiences beg us to write about them, but we often feel overwhelmed when trying to capture the whole story at once. In this class, we'll explore the art of flash nonfiction and short essays—pieces that tell a complete story in no more than 750 words. Life is comprised of moments—big, showy ones as well as small, quiet ones—many of them infused with deeper meaning. Sometimes we can easily articulate a moment’s meaning, but often we can only make sense of it peripherally. In a flash essay, both the moment and the meaning must be distilled to their purest essence. Through a series of writing exercises, participants will generate a list of potential essay ideas and identify key details and imagery to help them dig into the heart of those stories. Students will also write up to five flash pieces of varying lengths. Learn more / enroll »

Historical Narratives 

Instructor: Marty Levine - Have you ever been fascinated by a true historical story? The tools of creative nonfiction are exactly right for turning historical finds into vivid characters and scenes. Even when you can’t interview your characters or directly observe them in action, you can still write great nonfiction narratives from the rich materials of history. Whether you’re just beginning or deep into researching a piece (especially if you’re feeling overwhelmed by the amount of material you could use), this class will show you how to bring the past alive. Learn more / enroll »

Spiritual Writing 

Instructors: Jessica Griffith or Jonathan Callard - We will read selections from essays and memoir in the spiritual writing genre and try composing our own versions of this material. We will ask, what, if anything, can make nonfiction writing “spiritual”? How to write about something so personal and powerful and share it with an audience of differing beliefs or traditions? How to move beyond the saccharine to illuminate a truth? Participants will choose a spiritual question or subject to explore in-depth, and will investigate this topic by writing two 500-word pieces and one article/essay of up to 4,000 words. We will focus on getting started, gathering material, and revising for publication. Writers from all backgrounds and faiths are welcome. Learn more / enroll »

Summer Memoir Writing: Scene & Summary

Instructor: Joelle Fraser - In this class we’ll focus on two of the most important, and misused, elements in memoir: Scene and Summary. Both are essential to the memoir, but often writers confuse the two or rely on one at the expense of the other. We'll also spend a week on how best to delve into flashbacks and flash forwards. In these five weeks we’ll examine these key techniques—taking a close look at how each works and learning how to best balance the two on the page. We’ll study the basics but also look into more advanced strategies, such as how to use “nano-scenes” within summary to keep the storyline vivid, and the role of general time versus specific time. Learn more / enroll » CURRENTLY FULL

Please follow the links below for more information on upcoming and future sessions:

If your question is not answered in the Frequently Asked Questions, please contact Sharla Yates, Director of Education, at