Unlike many magazines, Creative Nonfiction draws heavily from unsolicited submissions. Our editors believe that providing a platform for emerging writers and helping them find readers is an essential role of literary magazines, and it’s been our privilege to work with many fine writers early in their careers. A typical issue of CNF contains at least one essay by a previously unpublished writer.
We’re open to all types of creative nonfiction, from immersion reportage to personal essay to memoir. Our editors tend to gravitate toward submissions structured around narratives, but we’re always happy to be pleasantly surprised by work that breaks outside this general mold. Above all, we’re most interested in writing that blends style with substance, and reaches beyond the personal to tell us something new about the world. We firmly believe that great writing can make any subject interesting to a general audience.
Creative Nonfiction typically accepts submissions via regular mail and online through Submittable. Please read specific calls for submissions carefully.
We try to respond to all submissions as soon as possible. If you submit by regular mail, you will receive an email from us (typically within a week of your manuscript’s arrival in our office), confirming we have received your manuscript. If you submit online, you will receive a confirmation email from Submittable.
We read year-round, but it is not uncommon for a decision to take up to 6 months; unfortunately, this is especially true of work we like. If you have not heard from us since the initial confirmation email, please assume your manuscript is still under consideration.
A Note About Fact-checking
Essays accepted for publication in Creative Nonfiction undergo a fairly rigorous fact-checking process. To the extent your essay draws on research and/or reportage (and ideally, it should, to some degree), CNF editors will ask you to send documentation of your sources and to help with the fact-checking process. We do not require that citations be submitted with essays, but you may find it helpful to keep a file of your essay that includes footnotes and/or a bibliography.
Current Submission Calls
For an upcoming issue, we're seeking well-crafted true stories of delays, postponements, and pauses that explore and examine our relationship with time. Whether you're waiting patiently or not, on tables of for Godot, we can't wait to read your work. Deadline: September 22, 2014. Complete guidelines »
TRUE STORIES, WELL TOLD
We read general submissions year-round and are open to all subjects and forms. Whatever your story is, we want to hear it! Accepted Year-Round. Complete guidelines »
PITCH US A COLUMN
Have an idea for a literary timeline? An opinion on essential texts for readers and/or writers? An in-depth, working knowledge of a specific type of nonfiction? Pitch us your ideas; Creative Nonfiction is now accepting query letters for the following sections of the magazine. Accepted Year-Round. Complete guidelines »
Since every issue of Creative Nonfiction features original illustrations, we are always on the lookout for new work and new artists. Accepted Year-Round. Complete guidelines »
TINY TRUTHS CONTEST
Can you tell a true story in 130 characters (or fewer)? Think you could write one hundred CNF-worthy micro essays a day? Go for it. We dare you. There's no limit. Simply follow Creative Nonfiction on Twitter and tag your tiny truths with the trending topic #cnftweet. That's it. We re-tweet winners daily and republish 10-12 winning tweets in every issue of Creative Nonfiction. Not sure what we're looking for? Check out all of our past "Favorites".
How much do you pay for a published essay?
We typically pay a $50 flat fee + $10/printed page, plus a copy of the magazine.
My essay is over your word limit. Will you still consider it for publication?
We’re very sorry, but we have to draw the line somewhere.
Do you always charge a reading fee?
No: you can always submit non-themed essays for consideration without a reading fee, if you send a hard copy via regular mail. Like many other magazines, we charge a $3 convenience fee to submit non-themed essays online through Submittable. In the case of contests, reading fees generally offset the costs associated with those issues, as well as (in most cases) the prize money; or, for a small additional cost, you can become a subscriber, which also helps keep the lights on at CNF.
Will you consider excerpts from longer pieces?
We are happy to read excerpts from longer pieces, though in our experience it rarely works to pull 4,500 words from a longer piece and call it an essay. Rather, we suggest you consider adapting part of your longer piece so that it can truly stand alone.
Can I change the names or distinguishing characteristics of the people in my story to protect their privacy?
We typically prefer that you not do this, and would argue that, in most cases, there are better ways to approach this type of challenge. That said, in some cases—for example, if you’re a doctor writing about your work with patients—sometimes this may be appropriate. Regardless, we’re big fans of transparency, and greatly appreciate a note in the cover letter or perhaps even footnoted in the manuscript itself, if you’ve taken this type of liberty.
Will you give feedback on the essay I submitted?
Unfortunately, due to the high volume of submissions we receive (in the neighborhood of 100+ essays per month), we can’t send detailed feedback or responses. If you are interested in having a professional editor review your manuscript, we encourage you to check out CNF’s mentoring program and online courses.
Can I submit an essay I wrote in one of CNF’s online courses or in the mentoring program?
Sorry, no. But we do wish you the best of luck placing such work elsewhere, and hope you’ll keep in touch with your teacher or mentor and let us know about any successes!
What are CNF’s copyright requirements?
CNF typically considers only unpublished work and seeks first publication rights. After publication, CNF typically retains certain reprint rights, and some other rights revert to the author. We find that when people ask this question, they usually mean, “I’m submitting a chapter from a book I’m writing, and I need to have the rights to it.” Please know that we absolutely do not retain any rights that would interfere with your ability to publish your work in your own book.