Using narrative to bridge the gap between science policy and the public
Can creative nonfiction effectively communicate much more esoteric and futuristic content, like science policy—that is, the responsibilities and decisions that come part and parcel with technological innovations?
Graham Shelby recalls being in the spotlight at The Moth Mainstage
Storytelling may be our oldest art form, but that doesn't mean it's easy to do.
Director of Legal Services for the Authors Guild
Online Cultural Criticism
An Inquiry on the Functions of Reflection